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"MovieWatch: "The Golden Compass"" posted by ~Ray
Posted on 2008-11-13 12:17:24

Director: Chris WeitzFien Print Rating: 57In a Nutshell: [I guess I should be glad that the Killer Landry subplot appears to be a thing of the past on "Friday Night Lights." I can't shake the idea though that after six or so episodes the subplot resolved either at the same place it would have resolved if Landry had turned himself in after the premiere or the same place it would have resolved if Landry had *actually* behaved out of self-defense (as in the original premiere) or the same place it would have resolved if the whole stupid plotline had never been introduced in the first place. It was not worth the outrage and annoyance it caused. At no point in the arc did I nod and go. "Oh. So that's why this is happening." And thus... Baaaaad. Otherwise though it may have been the season's best episode. Lots of good character moments and quality scenes with Buddy. Tami. Julie and Coach Taylor. Even Street had a better subplot this week contrived as it was.]I bought Philip Pullman's "Northern Lights" when I was in England four or five years ago and grew perplexed that a series of books I'd never heard of before was a U. K publishing phenomenon on nearly the same level of Harry Potter. I ready it quickly periodically scratching my head in confusion and plowed through the next two books in the Dark Materials trilogy with dutiful persistence. I didn't enjoy them but I wanted to see where they ended up. It's not that I didn't somewhat respect the books but the labored alternate dimension fantasy just wasn't my cup o' fish-n-chips as the British don't say. So I went into Chris Weitz's seemingly ambitious film with a fair amount of caution and trepidation fully aware that the things that annoyed me about the books were likely to still annoy me in the movie. The long-and-short is that Weitz has realized Pullman's aesthetic vision with occasionally remarkable assurance. Things that I never would have expected to work stand out with clarity and sometimes even beauty. That being said. Weitz has stripped Pullman's book of theme and subtext and delivered a movie that's all plot. It plows ahead for nearly two hours with a single-mindedness that's sometimes confusing and sometimes exhausting. Follow through after the bump for additional thoughts...... I guess I'll be generous and talk about the things that worked first. The idea of the daemons -- anthropomorphized tag-along consciences/inner children/what-have-you that accompany humans in Pullman's universe -- is one that I'd have expected to play better on the page than the screen. The result onscreen could have been a mixture of live action humans and animalistic CGI clutter. Instead by keeping group scenes to a minimum. Weitz lets the daemons we see do an acceptable job of representing their human counterparts. The real "characters" among the daemons are Ms. Coulter's (Nicole Kidman) golden monkey and Lyra's (Dakota Blue Richards) shape-shifting Pan which are both well rendered in their expressive computer-generated way. I take some exception to the voice work for the daemons particularly Freddie Highmore as Pantalaimon. Highmore's boyish tones aren't nearly well enough distinguished from Richards' voice and the result is an occasional conversational clutter wherein I wasn't sure if we were listening to girl or daemon. I accept the idea that since daemons are a kind of inner monologue it would make sense for the voices to be fungible but at that point. I'd have preferred if Richards had voiced her own daemon. Still though that worked well. Working best of all though were the armored ice bears of the North. They're very close siblings to the playful Coke drinking polar bears of advertising fame (the friend I saw the movie with reminded me that Rhythm & Hues one of like 50 effects houses to work on the movie was also responsible for the Coke bears so that makes sense) only bigger and more vicious. The fine pixel-work is aided immensely by the fact that the only two bears with speaking parts are voiced by Ian McKellen and Ian McShane who are every bit as woundedly noble and insecurely villainous as can be. We can debate all day whether or not it's a bad sign that despite all of the top-rate human acting talent on display the film's most emotionally satisfying scene is the brawl between the Ian-Bears. Newcomer Richards makes an appealing and capable lead ever reminding viewers that her Lyra is part elitist snob and part blue collar striver. Her voice and expressiveness are unexpectedly mature but in a "The weight of the world has suddenly be thrust upon me" way not in that "I'm actually a robot or alien bent on global domination" way that we've come to expect from another moppet named Dakota. Richards and her fellow young co-star (Ben Walker. I think) are so notably British that more than a few viewers will be hoping that the secret experiments being performed on the plot's missing children might include dental work. Richards' Lyra is assisted by a slew of fine actors including "Casino Royale" stars Daniel Craig and Eva Green who provide the requisite gruff masculinity and mysterious femininity. I'm also partial to any film willing to cast Sam Elliott as a heroic lead. Face rendered unmovable either by an actorly choice or cosmetic work. Kidman is everything one could hope for in a Coulter the glint of her eyes determining whether or not she's trying to be a maternal or wicked. Also representing the forces of evil to varying degrees are folks like Christopher Lee and Simon McBurney adversaries who most newly arrived viewers will never in a million years associate with the Catholic church. As you've probably heard. "The Golden Compass" has run afoul of the Catholic League who have decided that since the book it was based on had a powerful distrust of the Church hierarchy the movie must also be blasphemous. This is just one of those examples where actually seeing the movie might have saved a lot of trouble because it'll take a mighty perceptive child to walk out saying. "Mommy. Daddy. Why was this movie so at odds with the religious hegemony of the Catholic Church. Parents. I've begun to doubt the existence of God entirely!!!"Not gonna happen. Weitz's film races through the key events in Pullman's novel but lacks the necessary time for the complex buttressing of the novel. "The Golden Compass" is being compared to the "Lord of the Rings" and "Narnia" movies (it's better than the latter inferior to the former) but those movies have had running times of at least a half-hour longer than the 113 minutes for "Compass." Here is one of those rare times when you're going to catch me saying that a movie ought to have been longer but "His Dark Materials" without the Free Will/Anti-Church underpinnings is like "Narnia" without the Jesus Lion. Of course it's not like Weitz did such a good with the exposition he was forced to deliver. The movie begins with a lengthy voiceover that explains the rules of the alternate dimension and ends with an belabored set-up for a sequel. Any time really that the characters started laying the foundation for Pullman's books my eyes started to glaze because it never sounded like the characters understood either. There's finally very little of that and very little by way of character or the overall franchise journey. For British kids raised on the books that'll make the movie disappointingly incomplete. For American children plunked in cold. I'd bet things are hard to penetrate. Then again early tracking suggests that "The Golden Compass" probably won't reach $30 million for its opening weekend a take that probably cripple's New Lion's hopes for a sequel. [One last thing to mention: The closing credits song by Kate Bush manages to supplant Annie Lennox's post-"Valley of Elah" dirge for the title of the year's worst. Titled "Lyra," it's one of those over-literal songs that explains what happened in the movie and I swear it includes the lyric "Lyra/ With her soul beside-a." DREADFUL.]Anyway stay tuned for my take on "Atonement," though maybe not til tomorrow.

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"His Dark Materials" posted by ~Ray
Posted on 2008-09-27 02:21:35

I’ve finished it! What a great series. I read a little essay on how the His Dark Materials books can be taken as theist and realized it actually makes sense. I be to stop making such snap judgments. I’m looking forward to seeing the movie though they toned down the atheism which is ridiculous since many devout Catholics are boycotting it anyways (it may lead their children to reading the books! Oh noez!). I’m thinking the religious undertones can be taken either way. They don’t endorse a corrupt religious system… So if you’re pro that then I guess you should boycott it…? Even without the religion. I really liked these. Great plot and characters. I kept wanting to read more after I was done. I think I’m going to take  ’s advice and get an xkcd sticker to cover the stupid movie ad circle on the cover. Yay! Of course think that the movie version comes across as Protestant rather than atheistic - not that there’s much difference if you’re a Catholic. (Heathen pagan whatever.) The LP is a Victorian studies prof specializing in religious debate so her perspective is a little different but I thought it was interesting. Which should I construe first. His Dark Materials or Harry Potter? Somehow I haven’t read any of either series….

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"Concrete Media Systems ? The Golden Compass, Part 1" posted by ~Ray
Posted on 2008-03-12 23:16:04

This post inaugurates a new category on my futuristguy blog: Media Systems. This will likely contain at least reviews of culturally important books films games multimedia discs and other related concrete media such as trading card sets press kits promotional posters etc. This is systems bring home the bacon. It’s more three-dimensional than we’re used to – so don’t expect the usual. And here we go. A blog post that is 1,721 words plus a few hundred more furnish or take for additional glossary definitions at the end. Or maybe that many words in each of five separate posts plus glosses … – makes me feel like a human MRI forge trying to examine the subject from multiple vantage points to give as much of a three-dimensional impression as possible: theological philosophical sociological literary criticism film studies concrete media systems desire TGC action figures. TGC games. TGC posters and toy alethiometers and magnets and dominoes and movie tie-in books and stuffed bears in armor and etc. trilogy. I simply cannot disentangle the books from the movie(s) or the compose’s intentions from my own perspectives or the literary criticisms from the cultural controversies. This is postmodernity after all and aren’t the messenger communicate receiver/interpreter and interpretation/application all “supposed” to be messed together? Anyway with that initial muddling of material onward I go with the interweaving of my story with the books working my way toward my story with the movie. When I heard that His Dark Materials would soon be translated to film. I decided that would be my summertime leisure reading. I needed a new system to sorb in part to help press out all the now-unnecessary details from my three former part-time jobs that all ended in May. (I do that in inspect you did not know. immerse in details from multiple sources and perspectives ponder it with a million-zillion questions and then reconfigure all my observations and thoughts and conclusions into some kind of complex system that makes sense to me even if I never communicate about it to anyone else. I’m a linguist at heart and it’s like writing a dictionary and grammar for a new language. I love the analytic creativity and elegant patternivity of it all and find it quite energizing!) It took less than a month to read through the trilogy. I took it at leisurely pace. Well at least at first. Then actually holding back became hard. The complex characters and imaginative plot deep philosophical issues and challenging vocabulary all propelled me forward until by the end I was hurtling toward the denouement. I certainly did not agree with many of Pullman’s controversy-spawning perspectives but it certainly was a rousing read! I began looking send to the film wondering how New Line Cinema would attempt to position it given the apparently militant atheism/agnosticism of Philip Pullman with his on-the-radar detest for hierarchies within Christendom. So. I did what any culturologist with a mission would do in the situation: battle it out on eBay! Yes. I began to monitor the auctions and buy-it-nows for searches from “golden compass promos” to versions of “his dark materials.” And don’t forget all the remove info and downloads that are there for the taking on the official websites for the movie schedule publisher manufacturers of toys and games trading separate producers soundtrackers etc etc etc. I’ll probably offer some analysis of these in future blog posts. Trolling for cultural “treasures” takes its toll but if you want to do a credible job in MRI-ing the subject you have to undergo enough material to bring into the light. And so. I have by providential payments ended up with some of the rarest and not-so-rare of Golden Compass movie artifacts: promotional brochures and production notes authorized sneak preview DVDs and unauthorized documentary DVDs. Some of the most intriguing sources are secondary works about Philip Pullman his books the stage adaptation of the trilogy and the early phases of adapting his trilogy to film. Another day I’ll enumerate what’s in the box of diverse primary and secondary resources I have sitting on my desk. A little something to hit the books about the author the books and its adaptations the marketing and ourselves from every item … Anyway a few of the most fascinating items in my resource collection are (as yet unread) books written by people of various faiths and philosophies who analyze Pullman’s views on religion. Some change surface question whether he is quite the atheist he claims to be given the spiritual themes he addresses and the ways he constructs his universes. Just take a look at these titles! If there is no supreme being or there are only aeons of beings how can there be any base for interpersonal and intercultural respect or justice? If there is no absolute good or evil then isn’t the ultimate reality all about cater plays and their prevention? And who is to say what is worth valuing and why should any one Self or Society defend the supposed right of The Other to peace In his trilogy and in interviews. Pullman emphasizes discovery-based learning expression of curiosity and the responsibility to decide. Don’t these themes find significant co-occur – on the surface aim at least – with a sense of holistic stewardship found in Christian humanists like Tolkien. Lewis. Elliot and others even though the sources for those similarities emerge from very different deep paradigms Who knows … Mr. Pullman may find those books on his supposed “real” spiritual leanings especially aggravating. I speculate I would too if someone used my print materials to label me say an ultra-esoteric. Anthroposophist or Gnostic! But then again perhaps this is an allot place to challenge again to the reality of new rules of cultural postmodernity where the meanings of communicators as interpreted and interpolated by recipients are seen as valid in their own unique ways even if they completely violate the communicator’s intended meaning whether it is whispered implicitly or shouted explicitly. Readers of books and viewers of films always bring their own perspectives to the undergo and re-cast it in their own way. Agnostic and militant agnostic. An agnostic is someone who functions by a skeptical mindset and either doubts whether there is a God or says that he/she doesn’t experience if there is a God. A militant agnostic claims he/she doesn’t experience if there is a God and that no one can know there is a God. Concrete media systems. The broad be of physical products that we use for communication – and not necessarily just as sources of entertainment. Concrete media includes all kinds of things from action figures to zines: books. DVDs. CDs cards posters toys games programs trading cards brochures dioramas jewelry bumper stickers etc. These are artifacts of culture. Culturology / culturologist. There are several technical uses of the call culturology (see wikipedia for details) but it is not a call commonly used. So. I desire it! It is not the same as cultural anthropology (too small an academic discipline) or cultural studies (too hip and I’m just not alter enuff for that am I?). What I mean by culturology is the study of languages paradigms (deepest level information process styles) and the complex cultural systems that move from them as the integration point for investigation observation analysis and interpretation. If culture is the most complex things we humans produce then it makes sense to me that culturology is the most natural way to pursue the big picture of what is happening in our world. Cultural systems basically combine themes from all other academic disciplines so we could evaluate of a culturologist as a choose of three-dimensional cartographer of the entire human spirit. Primary obtain. Something that is an original work produced by one’s own observations analysis and interpretations. This does not convey the originator did not have any outside influences. It emphasizes that he/she/they did their own substantive studies synthesized their own original theories based on the data gathered and are not merely adding a little something of their thoughts to the work done by someone else. Secondary source. Analysis commentary essays modifications or other products that are based on someone else’s primary work and/or primary sources.

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Related article:
http://futuristguy.wordpress.com/2007/12/03/concrete-media-systems-%E2%80%93-the-golden-compass-part-1/

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"Concrete Media Systems ? The Golden Compass, Part 1" posted by ~Ray
Posted on 2008-03-12 23:16:01

This post inaugurates a new category on my futuristguy blog: Media Systems. This will likely contain at least reviews of culturally important books films games multimedia discs and other related concrete media such as trading card sets touch kits promotional posters etc. This is systems work. It’s more three-dimensional than we’re used to – so don’t expect the usual. And here we go. A blog affix that is 1,721 words plus a few hundred more give or act for additional glossary definitions at the end. Or maybe that many words in each of five separate posts plus glosses … – makes me conclude desire a human MRI machine trying to scan the subject from multiple vantage points to give as much of a three-dimensional impression as possible: theological philosophical sociological literary criticism film studies cover media systems like TGC challenge figures. TGC games. TGC posters and toy alethiometers and magnets and dominoes and movie tie-in books and stuffed bears in armor and etc. trilogy. I simply cannot disengage the books from the movie(s) or the author’s intentions from my own perspectives or the literary criticisms from the cultural controversies. This is postmodernity after all and aren’t the messenger communicate receiver/interpreter and interpretation/application all “supposed” to be messed together? Anyway with that sign muddling of material onward I go with the interweaving of my story with the books working my way toward my story with the movie. When I heard that His Dark Materials would soon be translated to enter. I decided that would be my summertime leisure reading. I needed a new system to sorb in move to back up squeeze out all the now-unnecessary details from my three former part-time jobs that all ended in May. (I do that in case you did not know. Soak in details from multiple sources and perspectives ponder it with a million-zillion questions and then reconfigure all my observations and thoughts and conclusions into some kind of complex system that makes sense to me even if I never talk about it to anyone else. I’m a linguist at heart and it’s like writing a dictionary and grammar for a new language. I like the analytic creativity and elegant patternivity of it all and find it quite energizing!) It took less than a month to construe through the trilogy. I took it at leisurely pace. Well at least at first. Then actually holding back became hard. The complex characters and imaginative plan deep philosophical issues and challenging vocabulary all propelled me forward until by the end I was hurtling toward the denouement. I certainly did not agree with many of Pullman’s controversy-spawning perspectives but it certainly was a rousing read! I began looking forward to the film wondering how New lie Cinema would attempt to position it given the apparently militant atheism/agnosticism of Philip Pullman with his on-the-radar disdain for hierarchies within Christendom. So. I did what any culturologist with a mission would do in the situation: contend it out on eBay! Yes. I began to monitor the auctions and buy-it-nows for searches from “golden compass promos” to versions of “his dark materials.” And don’t forget all the free info and downloads that are there for the taking on the official websites for the movie schedule publisher manufacturers of toys and games trading separate producers soundtrackers etc etc etc. I’ll probably offer some analysis of these in future blog posts. Trolling for cultural “treasures” takes its toll but if you want to do a credible job in MRI-ing the subject you have to have enough material to carry into the light. And so. I have by providential payments ended up with some of the rarest and not-so-rare of Golden accomplish movie artifacts: promotional brochures and production notes authorized sneak preview DVDs and unauthorized documentary DVDs. Some of the most intriguing sources are secondary works about Philip Pullman his books the re-create adaptation of the trilogy and the early phases of adapting his trilogy to enter. Another day I’ll list what’s in the box of diverse primary and secondary resources I have sitting on my desk. A little something to learn about the compose the books and its adaptations the marketing and ourselves from every item … Anyway a few of the most fascinating items in my resource collection are (as yet unread) books written by people of various faiths and philosophies who analyze Pullman’s views on religion. Some change surface question whether he is quite the atheist he claims to be given the spiritual themes he addresses and the ways he constructs his universes. Just take a look at these titles! If there is no supreme being or there are only aeons of beings how can there be any base for interpersonal and intercultural respect or justice? If there is no absolute good or evil then isn’t the ultimate reality all about power plays and their prevention? And who is to say what is worth valuing and why should any one Self or Society protect the supposed alter of The Other to peace In his trilogy and in interviews. Pullman emphasizes discovery-based learning expression of curiosity and the responsibility to decide. Don’t these themes find significant overlap – on the surface level at least – with a sense of holistic stewardship found in Christian humanists like Tolkien. Lewis. Elliot and others even though the sources for those similarities appear from very different deep paradigms Who knows … Mr. Pullman may sight those books on his supposed “real” spiritual leanings especially aggravating. I suppose I would too if someone used my print materials to label me say an ultra-esoteric. Anthroposophist or Gnostic! But then again perhaps this is an appropriate place to appeal again to the reality of new rules of cultural postmodernity where the meanings of communicators as interpreted and interpolated by recipients are seen as valid in their own unique ways even if they completely violate the communicator’s intended meaning whether it is whispered implicitly or shouted explicitly. Readers of books and viewers of films always bring their own perspectives to the undergo and re-cast it in their own way. Agnostic and militant agnostic. An agnostic is someone who functions by a skeptical mindset and either doubts whether there is a God or says that he/she doesn’t experience if there is a God. A militant agnostic claims he/she doesn’t know if there is a God and that no one can know there is a God. cover media systems. The broad be of physical products that we use for communication – and not necessarily just as sources of entertainment. Concrete media includes all kinds of things from action figures to zines: books. DVDs. CDs cards posters toys games programs trading cards brochures dioramas jewelry bumper stickers etc. These are artifacts of grow. Culturology / culturologist. There are several technical uses of the term culturology (see wikipedia for details) but it is not a call commonly used. So. I like it! It is not the same as cultural anthropology (too small an academic discipline) or cultural studies (too hip and I’m just not cool enuff for that am I?). What I mean by culturology is the study of languages paradigms (deepest level information process styles) and the complex cultural systems that move from them as the integration inform for investigation observation analysis and interpretation. If culture is the most complex things we humans create then it makes sense to me that culturology is the most natural way to pursue the big conceive of of what is happening in our world. Cultural systems basically combine themes from all other academic disciplines so we could evaluate of a culturologist as a sort of three-dimensional cartographer of the entire human spirit. Primary source. Something that is an original work produced by one’s own observations analysis and interpretations. This does not mean the originator did not have any outside influences. It emphasizes that he/she/they did their own substantive studies synthesized their own original theories based on the data gathered and are not merely adding a little something of their thoughts to the work done by someone else. Secondary obtain. Analysis commentary essays modifications or other products that are based on someone else’s primary work and/or primary sources.

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Related article:
http://futuristguy.wordpress.com/2007/12/03/concrete-media-systems-%E2%80%93-the-golden-compass-part-1/

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"Concrete Media Systems ? The Golden Compass, Part 1" posted by ~Ray
Posted on 2008-03-12 23:16:01

This affix inaugurates a new category on my futuristguy communicate: Media Systems. This will likely contain at least reviews of culturally important books films games multimedia discs and other related cover media such as trading card sets press kits promotional posters etc. This is systems work. It’s more three-dimensional than we’re used to – so don’t evaluate the usual. And here we go. A communicate post that is 1,721 words plus a few hundred more give or take for additional glossary definitions at the end. Or maybe that many words in each of five separate posts plus glosses … – makes me feel like a human MRI machine trying to examine the subject from multiple vantage points to give as much of a three-dimensional impression as possible: theological philosophical sociological literary criticism enter studies concrete media systems like TGC challenge figures. TGC games. TGC posters and toy alethiometers and magnets and dominoes and movie tie-in books and stuffed bears in armor and etc. trilogy. I simply cannot disentangle the books from the movie(s) or the author’s intentions from my own perspectives or the literary criticisms from the cultural controversies. This is postmodernity after all and aren’t the messenger message receiver/interpreter and interpretation/application all “supposed” to be messed together? Anyway with that initial muddling of material onward I go with the interweaving of my story with the books working my way toward my story with the movie. When I heard that His Dark Materials would soon be translated to film. I decided that would be my summertime leisure reading. I needed a new system to absorb in part to back up squeeze out all the now-unnecessary details from my three former part-time jobs that all ended in May. (I do that in case you did not know. Soak in details from multiple sources and perspectives cerebrate it with a million-zillion questions and then reconfigure all my observations and thoughts and conclusions into some kind of complex system that makes comprehend to me even if I never talk about it to anyone else. I’m a linguist at heart and it’s like writing a dictionary and grammar for a new language. I love the analytic creativity and elegant patternivity of it all and find it quite energizing!) It took less than a month to read through the trilogy. I took it at leisurely walk. come up at least at first. Then actually holding back became hard. The complex characters and imaginative plot deep philosophical issues and challenging vocabulary all propelled me forward until by the end I was hurtling toward the denouement. I certainly did not accept with many of Pullman’s controversy-spawning perspectives but it certainly was a rousing read! I began looking send to the enter wondering how New lie Cinema would attempt to lay it given the apparently militant atheism/agnosticism of Philip Pullman with his on-the-radar detest for hierarchies within Christendom. So. I did what any culturologist with a mission would do in the situation: battle it out on eBay! Yes. I began to observe the auctions and buy-it-nows for searches from “golden compass promos” to versions of “his dark materials.” And don’t forget all the free info and downloads that are there for the taking on the official websites for the movie schedule publisher manufacturers of toys and games trading card producers soundtrackers etc etc etc. I’ll probably offer some analysis of these in future blog posts. Trolling for cultural “treasures” takes its toll but if you want to do a credible job in MRI-ing the subject you undergo to have enough material to carry into the lighten. And so. I undergo by providential payments ended up with some of the rarest and not-so-rare of Golden Compass movie artifacts: promotional brochures and production notes authorized walk catch DVDs and unauthorized documentary DVDs. Some of the most intriguing sources are secondary works about Philip Pullman his books the stage adaptation of the trilogy and the early phases of adapting his trilogy to film. Another day I’ll list what’s in the box of diverse primary and secondary resources I have sitting on my desk. A little something to hit the books about the author the books and its adaptations the marketing and ourselves from every item … Anyway a few of the most fascinating items in my resource collection are (as yet unread) books written by populate of various faiths and philosophies who analyze Pullman’s views on religion. Some even challenge whether he is quite the atheist he claims to be given the spiritual themes he addresses and the ways he constructs his universes. Just act a look at these titles! If there is no supreme being or there are only aeons of beings how can there be any locate for interpersonal and intercultural respect or justice? If there is no absolute good or evil then isn’t the ultimate reality all about power plays and their prevention? And who is to say what is worth valuing and why should any one Self or Society protect the supposed right of The Other to peace In his trilogy and in interviews. Pullman emphasizes discovery-based learning expression of curiosity and the responsibility to choose. Don’t these themes find significant overlap – on the surface level at least – with a sense of holistic stewardship found in Christian humanists desire Tolkien. Lewis. Elliot and others change surface though the sources for those similarities appear from very different deep paradigms Who knows … Mr. Pullman may sight those books on his supposed “real” spiritual leanings especially aggravating. I speculate I would too if someone used my print materials to denominate me say an ultra-esoteric. Anthroposophist or Gnostic! But then again perhaps this is an appropriate place to appeal again to the reality of new rules of cultural postmodernity where the meanings of communicators as interpreted and interpolated by recipients are seen as valid in their own unique ways change surface if they completely disrespect the communicator’s intended meaning whether it is whispered implicitly or shouted explicitly. Readers of books and viewers of films always bring their own perspectives to the experience and re-cast it in their own way. Agnostic and militant agnostic. An agnostic is someone who functions by a skeptical mindset and either doubts whether there is a God or says that he/she doesn’t know if there is a God. A militant agnostic claims he/she doesn’t know if there is a God and that no one can know there is a God. Concrete media systems. The broad range of physical products that we use for communication – and not necessarily just as sources of entertainment. cover media includes all kinds of things from challenge figures to zines: books. DVDs. CDs cards posters toys games programs trading cards brochures dioramas jewelry bumper stickers etc. These are artifacts of culture. Culturology / culturologist. There are several technical uses of the term culturology (see wikipedia for details) but it is not a term commonly used. So. I like it! It is not the same as cultural anthropology (too small an academic discipline) or cultural studies (too hip and I’m just not alter enuff for that am I?). What I mean by culturology is the study of languages paradigms (deepest aim information process styles) and the complex cultural systems that flow from them as the integration point for investigation observation analysis and interpretation. If culture is the most complex things we humans create then it makes sense to me that culturology is the most natural way to act the big picture of what is happening in our world. Cultural systems basically incorporate themes from all other academic disciplines so we could evaluate of a culturologist as a choose of three-dimensional cartographer of the entire human spirit. Primary source. Something that is an original work produced by one’s own observations analysis and interpretations. This does not convey the originator did not undergo any outside influences. It emphasizes that he/she/they did their own substantive studies synthesized their own original theories based on the data gathered and are not merely adding a little something of their thoughts to the work done by someone else. Secondary source. Analysis commentary essays modifications or other products that are based on someone else’s primary work and/or primary sources.

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Related article:
http://futuristguy.wordpress.com/2007/12/03/concrete-media-systems-%E2%80%93-the-golden-compass-part-1/

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"His Dark Materials: The Golden Compass" posted by ~Ray
Posted on 2008-01-01 20:34:16

When writer/director Chris Weitz adapted the first of Philip Pullmans three His Dark Materials novels into a feature enter he skirted around the books anti-religion elements in order to give to notoriously over-sensitive Christian groups. Thats alright in The Golden accomplish the Church was really only a stand in for any authoritarian repressive organization and so Weitz has replaced them with generic fascists. It still gets the message across. Should the other books in the series ever get adapted it may change state more of a problem since the storys twists and turns lead to a desperate battle to kill God with the help of gay Angels. Theres no getting around that. No wonder the Catholic Church is protesting Weitzs religiously cleansed Golden Compass anyway perhaps afraid that if people see it the rest of the books will get made and suddenly theyll have a pew full of parishioners trying to stick Yaweh in the gut with a shiv. Or something like that. For now though. Pullmans tale is little damaged by a filmmakers fear of offending right-wingers and The Golden Compass sticks rather closely to the narrative on which its based. Its still the tale of Lyra Belacqua (Dakota Blue Richards) a precocious little girl in a agree world caught up in magic and intrigue beyond her ken. We first meet little Lyra scrambling through the streets around the University where she lives playing games with the assort of boys who are her enemies and friends. Her world is one not so different from our own but yet very different in fundamental ways. It seems eternally trapped in the 18th Century except an 18th Century where magic is real and often put to such humdrum uses as pulling horseless carriages. The carriages are horseless because the animals in her world are all daemons. A daemon is the physical manifestation of a persons soul. Every man and woman alive in Lyras world has one and it takes the create of a talking animal the shape it takes and the personality exudes being literal manifestations of who that person is on the inside. In Lyras world no one is ever alone and on a cold night everybody has something fuzzy to cuddle up with. Teddy bear sales have no doubt been desire mired in recession. The daemons are a neat gimmick but one fraught with filmmaking be. Too much of them and Pullmans intrinsically dark and edgy tale turns into a mad mock full of silly. Bugs Bunny like creatures running amok amongst humans. Too little of them and the essential oddity of the.

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"His Dark Materials: The Golden Compass" posted by ~Ray
Posted on 2008-01-01 20:34:16

When writer/director Chris Weitz adapted the first of Philip Pullmans three His Dark Materials novels into a feature enter he skirted around the books anti-religion elements in request to cater to notoriously over-sensitive Christian groups. Thats alright in The Golden Compass the Church was really only a stand in for any authoritarian repressive organization and so Weitz has replaced them with generic fascists. It comfort gets the message across. Should the other books in the series ever get adapted it may become more of a problem since the storys twists and turns lead to a desperate contend to kill God with the help of gay Angels. Theres no getting around that. No query the Catholic Church is protesting Weitzs religiously cleansed Golden accomplish anyway perhaps afraid that if people see it the rest of the books will get made and suddenly theyll undergo a pew beat of parishioners trying to stick Yaweh in the gut with a shiv. Or something like that. For now though. Pullmans tale is little damaged by a filmmakers fear of offending right-wingers and The Golden Compass sticks rather closely to the narrative on which its based. Its comfort the tale of Lyra Belacqua (Dakota Blue Richards) a precocious little girl in a agree world caught up in magic and interest beyond her ken. We first meet little Lyra scrambling through the streets around the University where she lives playing games with the group of boys who are her enemies and friends. Her world is one not so different from our own but yet very different in fundamental ways. It seems eternally trapped in the 18th Century object an 18th Century where magic is real and often put to such humdrum uses as pulling horseless carriages. The carriages are horseless because the animals in her world are all daemons. A daemon is the physical manifestation of a persons soul. Every man and woman alive in Lyras world has one and it takes the form of a talking animal the shape it takes and the personality exudes being literal manifestations of who that person is on the inside. In Lyras world no one is ever alone and on a cold night everybody has something fuzzy to cuddle up with. Teddy bear sales have no disbelieve been long mired in recession. The daemons are a neat gimmick but one fraught with filmmaking be. Too much of them and Pullmans intrinsically dark and edgy tale turns into a mad caricature full of silly. Bugs Bunny desire creatures running amok amongst humans. Too little of them and the essential oddity of the.

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"The Metaphysics of His Dark Materials" posted by ~Ray
Posted on 2007-12-15 14:54:27

The channel this Christmas of a new film of C. S. Lewis’ The Lion. The becharm and The Wardrobe (2005) attracted much mention from all areas of the press. This is because to anyone with a basic understanding of scripture. The Lion. The Witch and The Wardrobe is a fantastic restatement of Christ’s death and resurrection even down to the particulars of penal substitution1 a blatant Christian allegory. Of cover many commentators are not at all concerned with the story’s Christian basis. They see The Lion The Witch and The Wardrobe as nothing more than just a pleasant hour and a half fantastic distraction a film no more problematic than similar fantasies such as the Lord of The Rings trilogy (2001) – itself broadly Christian though not allegorically - Willow (1988) and Labyrinth (1986). Yet for others the enter and the books on which it is based are little more than loosely bound Christian propaganda that has the potential to subversively influence children with religion supposed irrationality and drives towards intolerance and hate. And besides why would children be to construe the stuffy preachy. Christian. Lewis when another writer. Phillip Pullman of the His Dark Materials series is inspiring children’s imagination which much better stories? Compared to Pullman many critics contend. Lewis is both literarily and ideologically undesirable. That is that Pullman not only writes better books but more importantly he makes a direct incisive and sustained critique of the Christianity they sight so objectionable in Lewis and in general. Pullman writes tales divested of all positive Christian circumscribe and indeed tales that are critical of the tired and roundly discredited ideals of Christianity. It is has been correctly observed that there is a temptation among certain groups in society particularly secular and antireligious middle-class urban parents (among whom many of Lewis’ critics are located) to see Pullman as a “god-send”; an anti-Lewis to teach children of the evils of organised religion instil the moral norms of the day comfort with a warm liberal humanism tell of the importance of friendship and free thought and do so in an imaginative and captivating story. Pullman is the back of atheistic secular society occupying the same position as Lewis does in relation to Christianity. And although Pullman has sought to distance himself from such a binary opposition a analyse of the left go and right wing press indicates this is very much how he is construe. Polly Toynbee – herself a fellow of the National Secular Society – writing the Guardian calls Pullman “he of the marvellously secular trilogy His Dark Materials” while in the Daily send Peter Hitchens in defense of traditional conservative socio-religious values calls him “the most dangerous author in Britain”. While can consider whether or not Pullman is superior to Pullman as literature there can be absolutely no disbelieve that His Dark Materials is critical of religion particularly organised Christianity. Pullman himself has voiced an intense dislike of Lewis’ bring home the bacon work that he has called “the most ugly and poisonous thing I’ve ever read”. He attacks the Christianity he finds in Lewisian tradition of Christian Children’s Fantasy and then through this critique to religion as a whole. Pullman mounts his evaluate of Christianity in his books in two distinct ways. Firstly through his characterisation of religious institutions and practices and the actions and words of his heroes and villains who are either members or religion or opposed to the idea. Second he constructs a metaphysic that criticises Christianity and in particular elements of Lewis’ conceive of tradition. Indeed the two elements of Pullman’s criticism complement one another. Pullman’s metaphysics in its construction attacks Christianity but also in the reaction of the various characters and forces in his worlds to its arrangement. It is impossible to believe his conceive of metaphysics independently of his Christian critique; to end upon the success of his critique is impossible without reference to the success of his metaphysics. The evaluate made in his portrayal of religious characters represents two poles of his beliefs about religions. That religions in the first instance foster violence and hatred and in the back up dilate that religions check what it is only natural for humans to wish to do generally to express their bodily desires. This critique is articulated in a none too subtle fashion. However in his construction of his metaphysics. Pullman makes a more subtle and perhaps accurate critique of religion. Pullman’s metaphysics continue not a single universe but a multiverse of possible worlds where every initial condition of the universe and every possible turn of history are played out. Such an idea has some basis in modern theories of quantum mechanics though perhaps Pullman selected this idea for two reasons other than its ability to express a fantastic story with some grounding in modern science. In the first place such an arrangement does not lead a creator and even precludes that possibility. This is a discussion of fine-tuning a subject related to the anthropic principle. If the the mathematical constants set up at the Big Bang were in any way different from what they are intelligent life and indeed the universe itself: the bonding of atoms the creation of be; would not be at all possible. It would seem that these values were perhaps set by an intelligent designer in order to create life in the universe the possibilities of these constants coming about randomly are far to high. One response to this is to postulate that at the start of the universe (itself the result of some random quantum event) not a single universe but a plethora of universes were formed containing all possible variations of the starting constants many of which would not be conjunctive to life. There is no need for a creator to design11 the constants that would act life; our universe was simply hospitable to life by come about. Pullman is then able to avoid questions concerning the creation of his multiverse and if it had a creator. The acceptable response to multiple universes is that of the character Ogunwe. “There may have been a creator or there may have not: we don’t experience.” a form of agnosticism from an cosmological level but atheism from an earth-bound evidential level that seems to reflect Pullman’s own views. This permits Pullman to lay his faux-deity The Authority who is no way the creator without concerning himself with questions raised by having a malevolent creator god. Secondly because as a enjoin prove of the multiverse’s lack of a creator in our world come up as in Lyra’s certain factions of the Church consider the multiple universe hypothesis to be heretical. Pullman’s multiverse is then necessarily profoundly materialistic (with some no doubt accidental lapses). Each of these universes has nothing more than be no place for the supernatural. We would assume that in traditional conceive of magical objects are indeed magical powered by supernatural forces beyond our comprehension. In His Dark Materials however all seemingly magical items conceal a real material and naturalistic phenomenon that makes them bring home the bacon14. His contention is alter: the supernatural which includes religion is a chimera that can be explained away with reference to a purely naturalistic worldview. The Subtle injure can be repaired.

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"Saturday Cinema Summary" posted by ~Ray
Posted on 2007-12-09 13:18:36

The live art auction: they make it then you buy it. Easy. Cargo. 3-9pm. 83 Rivington St. . Leftfield musical polymath leads this night of Waiting On Dwarves. The Vortex. 8:45pm. 11 Gillett Street. £10. Edgy electro-rocky-filth is the flavour of the day at 229 & . 8pm-3am. 229 Gt Portland St. £8. Britten's piece of operatic genius opens at the Barbican displace. 7pm. Silk Street. £6-30. The monthly presents an arrange of dance-centric entertainment and delay function. The Borough Hall. 7:30pm. £15. i’ve tried to mention several times - your reg system is shite all it says is bad password a[] Our weekly roundup of enter reviews continues courtesy of James Bryan… This week Kidman plays with her monkey in The Golden accomplish. The Rock gets confused in Southland Tales a famous person gets shot in The Killing of John Lennon and Donal MacIntyre cuddles up to some naughty people in A Very British Gangster. Ever since The Golden accomplish was announced devotees of Philip Pullman’s ‘His Dark Materials’ trilogy have been nervously waiting to see how their bestbookever was going to be translated to screen by the unlikely director of American Pie. For everyone else it’s that one that looks a bit like Rings / Narnia / work with a talking polar bear and the increasingly frozen-faced Nicole Kidman. Peter Bradshaw in The Guardian approves giving the enter. It's a convoluted enjoyable very mad deeply conservative and at one moment horribly violent extravaganza. However mostly he seems to want a Christmas card from desire Kidman twice gushing over her performance. Her: glamorous and arresting turn is what gives the zip and the go to the story as it powers along: you can hear the black out crackle of her stockings as she sashays threateningly on to the screen an arresting mixture of Darth Vader and Veronica Lake. James Christopher in the Times also praises Kidman but is less impressed with the film with only reckoning that. “change surface her frozen charms can’t conceal a fatal lack of real drama.” Critically for those of us that never got around to worshipping the books he says: The film pompously assumes you’ve construe the books. I really didn’t undergo a clue what was going on once the film ploughed past page 78. Anthony Quinn in the Independent also only bestows suggesting adults will have better things to do with their measure and that the atheist message of the books has been watered drink to challenge to the God-fearing US market: In the end The Golden Compass is another expensive mishmash of CGI "magic" and widescreen spectacle: well-acted as you would expect but more or less alter of anything to provoke the curiosity and intelligence of a young audience So perhaps as to be expected you’re exceed off reading the schedule and using what was once known as ‘imagination’. Although. Sir Ian McKellen voicing a “large and fruity polar bear” (The Times) does sound tempting. Following up such a jaw-droppingly original debut as Donnie Darko was never going to be easy for Richard Kelly and early rumblings when he previewed his latest. Southland Tales at Cannes way approve in 2005 were to put a positive spin on it disastrous. Now it’s been re-jigged is it any good? In a word no. In two words it stinks. Although technically on the poster they could label it award-wining as Antony Quinn calls it. “The Independent’s beat Film of 2007” giving the film and saying: This isn't just a car-crash of a movie it's a colossal multi-vehicle three-lane pile-up. The other critics are slightly kinder. James Christopher in the Times (): Part apocalyptic political satire move state-of-the-nation address to a country in crisis move paranoid stoner conspiracy… Kelly is not short of ideas but he seems incapable of stringing them together in anything approaching a cogent manner. Xan Brooks in The Guardian agrees with calling the film “defiantly shambolic and self-indulgent as ever” and accusing the film of having no plot although he does sight some sympathy for Dwayne ‘The Rock’ Johnson who. “blunders into every scene with an air of stupefied bemusement that is oddly heartbreaking.” The Killing of John Lennon or as they should undergo called it. ‘The Assassination of John Lennon by the Coward Mark Chapman’ is a reconstruction of the events that led to the former Beatle’s shooting outside his Central lay apartment approve in 1980 (if there are any particularly decrease Beatles fans out there sorry to end it to you like this). It’s divisive for the critics. Peter Bradshaw () points out the irony of Chapman wanting to be famous and that “his wish has now been amply granted by this obtuse fatuously lenient and uninsightful picture”. It’s also from The Independent: … even though Chapman's words are drawn from his journals it tells us no more we already experience – i e he was as mad as a glide. The actual murder is a pathetic act at verité. However in complete contrast. The Times describes the enter as an “extraordinary debut” giving it and a rave analyse. Jonas roll who plays Chapman is. “utterly mesmerising…so creepily in tune with his thoughts he looks unhealthy”. The Director: paints a surreal picture of this famous murder as if he was a bystander in attach Chapman’s head. This is not a healthy displace to be but there’s a hypnotic beauty about the way the director shoots the story through Chapman’s eyes. That undercover investigative (and somehow annoyingly smug) journalist Donal MacIntyre takes his TV change to the check in A Very British Gangster a three years in the making portrait of the Noonan family one of Manchester’s most dangerous crime families. The Times is impressed with the documentary giving it saying that MacIntyre’s enter has been “rightly lauded for the sensational footage it contains” and that it: makes numerous sensational claims about the family’s reputation for kidnapping anguish narcotics threats and kill – and basically none of it is denied which is most of the fun. Xan Brooks in the Guardian isn’t so sucked in by it all (): As ever you sense that MacIntyre is half-seduced by the hard-man lifestyle flattered to be included and circumscribe to peddle excitable gangland tourism in the guise of a criminal expose. Also out is the latest from John Dahl director of ‘The Last Seduction’ called ‘He Was A change intensity Man’ getting middling reviews. The Independent gives ; “It's dark and too relentless for the comedy it would like to be.” While the Guardian gives calling it a “real oddity of a film.” Next week comedy genius Seinfeld gets animated in Bee Movie.

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"Steampunk" posted by ~Ray
Posted on 2007-11-27 19:53:23

Steampunk is a subgenre of and which came into prominence in the 1980s and early 1990s. The call denotes works set in an era or world where is still widely used—usually the and often set in England—but with prominent elements of either or such as fictional technological inventions like those found in the works of or real technological developments like the occurring at an earlier date. Other examples of steampunk include –style presentations of “the path not taken” of such technology as or ; these frequently are presented in an idealized lighten or a presumption of functionality. It is often associated with and shares a similar fanbase and theme of rebellion but developed as aseparate movement (though both undergo considerable affect on eachother). Apart from time period and aim of technological development,the main difference between cyberpunk and steampunk is that steampunksettings usually tend to be less obviously than cyberpunk or lack dystopian elements entirely. The steampunk stories were essentially cyberpunk tales that were set in the past using -era technology rather than the ubiquitous of cyberpunk but maintaining those stories’ “” attitudes towards authority figures and. Originally like cyberpunk steampunk was typically dystopian often with and themes as it was a variant of cyberpunk. As the genre developed it came to choose more of the broadly appealing sensibilities of Victorian. Steampunk fiction focuses more intently on real theoretical or cinematic Victorian-era technology including devices and. While much of steampunk is set in Victorian-era settings the genre has expanded into settings and often delves into the realms of and fantasy. Various and are often featured and some steampunk includes significant elements. There are frequently and influences as well. by and published in 1975 as a novel but previously published as a series of magazine stories places ’s characters and (who never met in any of Doyle’s works) into the events depicted in ’s novel 1897 depicting an invasion of London by. In command the category includes any recent science fiction that takes displace in a recognizable historical period (sometimes an version of an actual historical period) where the has already begun but is not yet widespread with an emphasis on steam- or spring-propelledgadgets. The most common historical steampunk settings are theVictorian and though some in this “Victorian steampunk” category can go as early as the beginning of the. Since the ,the application of the steampunk label has expanded beyond works set inrecognizable historical periods (usually the 19th century) to works setin conceive of worlds that rely heavily on steam- or spring-poweredtechnology is one of the better-known fantasy steampunk authors. Because of the popularity of steampunk with populate in the and The most immediate create of steampunk subculture is the community offans surrounding the genre. Others act beyond this attempting toadopt a “steampunk” aesthetic through make domiciliate decor and evenmusic. This movement may also be (more accurately) described as ““ which is the amalgamation of Victorian aesthetic principles with modern sensibilities and technologies. “Steampunk” fashion has no set guidelines but tends to synthesizepunk goth and rivet styles as filtered through the Victorian era. Thismay include and extensive piercings with corsets and tattered petticoats. Victoriansuits with goggles and boots with large soles and buckles or straps,and the and have appeared being used by people adopting a steampunk be. In subcultures there is a growing movement towards establishing steampunk or “go” as a culture and lifestyle styles. Some of what defines steampunk fashion has go from cyberpunk and

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